A few years after I started my freelance business I attended a weekend-long series of Lindy Hop classes. I had already been dancing Lindy for a few years by then, and was looking forward to learning advanced techniques from a team of out-of-town instructors.
I arrived with one of my regular dance partners, who I’ll call Diane (because that happens to be her name). The first session was about to start but the high-level stuff was scheduled for later in the day. The cool instructors were kicking off the weekend with a workshop on the basics of Lindy Hop—moves Diane and I had mastered long ago.
Reviewing the fundamentals of any skill is a valuable exercise, but Diane and I were both craving something more that day. So we created our own challenge by swapping roles. Diane danced the “lead” part (what’s traditionally thought of as the male role in partner dancing) while I joined the circle as a “follower.” Diane literally doubled over with laughter the first time I did a hip swivel while waving my hand in the air. I looked—and felt—pretty silly.
Yet as it turned out, I learned a lot more from that hour or two of role reversal than from the rest of the weekend.
I haven’t been able to remember what the advanced classes were about for many years, but I never forgot how it felt to dance like a follower. It made me aware of things I was doing as a leader that could confuse or distract my partner. I also learned a few things skilled leaders do to help followers have more fun. Diane, in turn, discovered one of the biggest challenges leaders face—having to perform one dance move while deciding what the next one will be. We were both better dancers when we left that “basic” workshop.
This experience also illustrates one of the writer’s roles in the creative process. Whether you’re writing your own copy or preparing a brief for a hired scribe, part of the job is to get into the heads of the people you want to reach, whether they’re potential customers, voters, donors, or whatever. The more you know what it’s like to be in their shoes, the more likely you are to write in a voice that speaks to what they really want and need.
You don’t have to do hip swivels and wave your hand in the air to learn what it’s like to be your buyers (unless you’re selling dancing shoes, in which case I highly recommend it). The key is to do something, however small, to get a window into their world. Interview the type of people you want to reach—or think you want to reach—to find out where your strengths overlap their needs. Read what they read, watch what they watch, visit the websites and social media groups they like.
You may find that all your assumptions about your readers are correct. If so, great! But it’s more likely you’ll discover at least a few insights that will change the way you do business, making the marketing dance with your best potential buyers far more effective—and profitable.